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Corona-edition: Art & Politics

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Corona-edition: Art & Politics

Art & Politics

Laura Steel Pascual - May 3, 2020
Corona-edition: Art & Politics

RETROSPECT

Corona-edition: Art & Politics

The conductor’s baton is mightier than the sword: The West-Eastern Divan Orchestra’s quest for peace and dialogue in the Middle East

Corona-edition: Art & Politics

The politics behind Picasso’s art.

Corona-edition: Art & Politics

Russian magic

Corona-edition: Art & Politics

Art as propaganda – mightier than the sword

Eva Casagrande - May 3, 2020
Corona-edition: Art & Politics

TikTokTotalitarian: China’s latest weapon?

Lisa Walen - May 3, 2020
Corona-edition: Art & Politics

The art behind flags: what can we learn from it?

Martijn Goldberg - May 3, 2020
Corona-edition: Art & Politics

“I’m not racist, I’m a satirist!”

Lara Schade - May 3, 2020
Corona-edition: Art & Politics

Red flags and comments

Laura Steel Pascual - May 3, 2020
Corona-edition: Art & Politics

Politics is everywhere, even in the imagined worlds of European literature

Martina Sclaverano - May 3, 2020
Corona-edition: Art & Politics

How Francisco Goya invented war photography without ever touching a camera

Ruben Stift - May 3, 2020
Corona-edition: Art & Politics

How Banksy is giving us all a voice in politics

Pètra van de Gevel - May 3, 2020
Corona-edition: Art & Politics

PROFILE: Hito Steyerl

Aimilina Sarafi - May 3, 2020
Corona-edition: Art & Politics

Review: 1917

Fernando Tabarez Rienzi - May 3, 2020
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