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35/4- De Facto and Failed States
36/1 – New Waves of Global Unrest
36/2 – Western Universities
35/1 – Testing the Waters
35/2- The Politics of Identity
– 35/3- The Commons
34/2 – Religion and Secularism
34/1 – Digitalization and the Changing Political Landscape
33/4 – Political Activism and Social Movements
33/3 – Global Trade
33/2 – Art and Politics
36/2 – Western Universities
The problematic objectivity of the Pareto optimum
36/2 – Western Universities
The European Schools of Elites
36/2 – Western Universities
Are Human Rights A Western Value?
36/2 – Western Universities
The problematic objectivity of the Pareto optimum
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33/2 - Art and Politics
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33/2 - Art and Politics
Art & Politics
Laura Steel Pascual
-
mei 3, 2020
33/2 - Art and Politics
RETROSPECT
33/2 - Art and Politics
The conductor’s baton is mightier than the sword: The West-Eastern Divan Orchestra’s quest for peace and dialogue in the Middle East
33/2 - Art and Politics
The politics behind Picasso’s art.
33/2 - Art and Politics
Russian magic
33/2 - Art and Politics
Art as propaganda – mightier than the sword
Eva Casagrande
-
mei 3, 2020
33/2 - Art and Politics
TikTokTotalitarian: China’s latest weapon?
Lisa Walen
-
mei 3, 2020
33/2 - Art and Politics
The art behind flags: what can we learn from it?
Martijn Goldberg
-
mei 3, 2020
33/2 - Art and Politics
“I’m not racist, I’m a satirist!”
Lara Schade
-
mei 3, 2020
33/2 - Art and Politics
Red flags and comments
Laura Steel Pascual
-
mei 3, 2020
33/2 - Art and Politics
Politics is everywhere, even in the imagined worlds of European literature
Martina Sclaverano
-
mei 3, 2020
33/2 - Art and Politics
How Banksy is giving us all a voice in politics
Pètra van de Gevel
-
mei 3, 2020
33/2 - Art and Politics
PROFILE: Hito Steyerl
Aimilina Sarafi
-
mei 3, 2020
33/2 - Art and Politics
Review: 1917
Fernando Tabarez Rienzi
-
mei 3, 2020
33/2 - Art and Politics
The wrong aim of politics
Niels Bosman
-
mei 3, 2020
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